Please use this identifier to cite or link to this item: http://theses.ncl.ac.uk/jspui/handle/10443/1283
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dc.contributor.authorBergemann, Suade-
dc.date.accessioned2012-06-19T09:07:27Z-
dc.date.available2012-06-19T09:07:27Z-
dc.date.issued2011-
dc.identifier.urihttp://hdl.handle.net/10443/1283-
dc.descriptionPhD Thesis Additional music to be consulted in Robinson Library only.en_US
dc.description.abstractPhD submission consisting of a portfolio of recordings presented both in their published form on five twelve-inch vinyl records and on two compact discs. The portfolio is accompanied by a commentary intended to facilitate access to the aesthetic statement presented in the portfolio. Following Charles Keil’s distinction between ‘embodied meaning’ and ‘engendered feeling’ this project investigates approaches to the creation of Techno music in terms of the significance of specific sounds, techniques and technologies in generating subsyntactic value. The concept of the groove and the importance of microtiming as they operate in my practice are discussed in the commentary and demonstrated through the production of a series of Techno records including both original compositions and remixes.en_US
dc.language.isoenen_US
dc.publisherNewcastle Universityen_US
dc.titleComposition portfolio : producing techno groovesen_US
dc.typeThesisen_US
Appears in Collections:School of Arts and Cultures

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